翻訳と辞書 Words near each other ・ Portrait of Maddalena Doni ・ Portrait of Maerten Soolmans ・ Portrait of Maffeo Barberini ・ Portrait of Marcel Duchamp ・ Portrait of Marchesa Brigida Spinola-Doria ・ Portrait of Margaret van Eyck ・ Portrait of Maria Anna ・ Portrait of an Artist, as an Old Man ・ Portrait of an Assassin ・ Portrait of an Unknown Woman ・ Portrait of Andrea Doria (Sebastiano del Piombo) ・ Portrait of Andrea Doria as Neptune ・ Portrait of Andrea Navagero and Agostino Beazzano ・ Portrait of Andrea Odoni ・ Portrait of Angel Fernández de Soto ・ Portrait of Ann ・ Portrait of Anna van der Aar ・ Portrait of Anne Hathaway ・ Portrait of Antoine, 'Grand Bâtard' of Burgundy ・ Portrait of Antoine-Laurent Lavoisier and his wife ・ Portrait of Art Farmer ・ Portrait of Baldassare Castiglione ・ Portrait of Baronne de Rothschild ・ Portrait of Bartolomeo Panciatichi ・ Portrait of Baudouin de Lannoy ・ Portrait of Bernhart von Reesen ・ Portrait of Bia de' Medici ・ Portrait of Bindo Altoviti ・ Portrait of Bishop Bernardo de' Rossi ・ Portrait of Camilla Gonzaga and Her Three Sons Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Portrait of Ann ： ウィキペディア英語版 Portrait of Ann ''Portrait of Anne'' (1957) is a painting by British artist L.S. Lowry (1887-1976). It is one of Lowry's most famous portraits and its subject appears in many Lowry works. Opinion remains divided as to the identity of the subject and her significance for the artist. ==Background== Lowry was elected an Associate of the Royal Academy in 1955, an appointment that brought him a wider recognition in the art world than he had been previously afforded. On 1 November 1957 he appeared on the front page of the ''Manchester Guardian'' with his proposal for the Academy's Spring Exhibition the following year. Although Lowry had painted portraits before (cf. the 'Horrible Heads' series from the 1930s), ''Portrait of Ann'' was seen as a major departure from Lowry's stock images of industrial scenes and millscapes — not least because Lowry very rarely used women as his subjects. Lowry described the style of the painting as being "modernist", explaining that the sitter "did not want her picture to be realistic; it had to be stylised." In common with Lowry's other oil paintings, ''Ann'' was executed using ivory black, vermilion, prussian blue, yellow ochre and flake white with no medium. Upon its eventual exhibition, the painting was criticised by the art critic G.S. Whittet in the August 1958 edition of ''The Studio'' as having a "crudely stylised face", but it was not without its supporters; Nesta Ellis, writing for the ''Sphinx'' art journal, thought the painting "gave the impression of an impassive yet willful woman". ''Ann'' was never sold at auction, but instead remained the property of the artist until it was bequeathed to Salford Museum and Art Gallery upon his death in 1976. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Portrait of Ann」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.